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04 августа 2022
Книга "La casa del carrubo", Barbara Bellomo

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19 июня 2022
Книга "Giulio fa cose", Paola Deffendi, Claudio Regeni

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23 апреля 2022
Книга "Castello senza tempo", Gesualdo Bufalino

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12 февраля 2022
Книга Fernando Aramburu "Il rumore di quest'epoca"

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09 января 2022
"Popular age I, 1918-1945" from the book "The Story of Music" by Howard Goodall

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22 декабря 2021
Книга "Alla ricerca di Fatima. Una storia palestinese" by Ghada Karmi

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17 ноября 2021
"The age of rebellion" (1890-1918) from the book "The story of music" by Howard Goodall

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07 ноября 2021
Книга "Figlia della cenere", Ilaria Tuti

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18 октября 2021
"The age of Tragedy" (1850-1890) from the book "The story of music" by Howard Goodall

Good afternoon, Authors, Translators and Publishing companies!

Today we will tell about the next chapter “The age of tragedy (1850-1890)” of the book “The story of music” by Howard Goodall.

Main moments:

  1. almost all music of the period is about destiny, death and doomed love;
  2. Paris was the center of opera production and all European opera composers moved to Paris;
  3. the most popular composers:
    • French Hector Berlioz (“Symphonie fantastique”, “Romeo and Juliet”, “Les Troyens”);
    • Italian Giuseppe Verdi (“Nabucco”, “Stiffelio”, “Rigoletto”, “Il Trovare”, “La Traviata”);
    • Italian Puccini (“Tosca”, “Madama Butterfly”);
    • French-speaking Hungarian Franz Liszt (started Halloween style of  music, full of dark, deep, loud chords; spectacular pianist, treated as “The King of piano”; perfected a keyboard style by impressionistic technique in “Fountains of the Villa d’Este”; invented symphonic poem in orchestral music; wrote nineteen “Hungarian Rhapsodies” for solo piano, folk songs, intended a patriotic and nostalgic purpose, included czardas dance);
    • Czech Antonin Dvorak (symphony “From the New World”, was invited to New York to become a director of the new National Conservatory of Music, encouraged young American composers to adopt and develop the melodies of Native Americans and Afro-Americans communities in orchestral music);
    • German Richard Wagner (operas “Tristan und Isolde”, “Parsifal”, “Ring cycle”, had his own theatre at Bayreuth, in operas used diminishing or augmented chords to create a sense of anxiety, uncertainty, nervousness).

 

You can enjoy the music of the age on Spotify.

For those, who are interested in the music

 

Yours faithfully,

Site Administration

 

literary-tree.net

 

 

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